Niemeyer works to impress, and used mostly white. His works are monumental and show great knowledge about color. He mix the colors with lighting of the work to achieve greater contrast and play of perspectives.
Light, shadow, color, texture are the projective limitations, which require a great exercise of intellectual abstraction that has to take in mind the unpredictability of the lighting. Niemeyer seeks greater expressiveness, he manages to recover the lost excitement with the rigors of rationalism.
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